SPOILER ALERT: This article references events in the novel Vanity Fair.
Becky Sharp is the central character in William Makepeace Thackeray’s 1840 novel Vanity Fair. It’s not right to call her the heroine, because the author states that this work is a novel without a hero. Nevertheless, whenever Vanity Fair re-emerges in our consciousness, courtesy of a film or TV adaptation, the character of Becky is seized upon and positioned as a representative of the age and as a role model for women.
We love her pluckiness, her bad-assness, her determination. We admire the way she carves her own path from ignominious beginnings to mixing with the cream of society without needing a man to save her. She is ambitious, whip-smart, ultra-modern. See how she reinvents herself, creates her own brand! She would be all over social media. Just imagine her Instagram account! Hey, she would be a match for Kim Kardashian!
The Match is a (very) short story, published in the UK in 1959 as part of Alan Sillitoe’s collection The Loneliness Of The Long Distance Runner. The title refers to a Saturday afternoon football match between Notts County and Bristol, the setting and subject matter immediately linking Sillitoe to the ‘angry young men’ of the 1950s, whose gritty, realistic depictions of post-war working-class life present their disillusion with the conservative values of the establishment and their refusal to accept the social conventions of a class-ridden society.
It begins with a classic Sweeney-type chase, as three armed robbers and their driver follow a security van across Waterloo Bridge in London. In the Kingsway Tunnel, now known as the Strand Underpass, the security van explodes and three men meet a horrific end.
The novel A Kind Of Loving by Stan Barstow was made into a 1962 film directed by John Schlesinger but Barstow went on to write two more books about the characters and the Vic Brown trilogy was made into an absorbing 10-part television series 20 years later in 1982.
